Alberto Ginastera. Cinco canciones populares argentinas (5 Popular Argentinian Songs), for voice and piano, Op. Composition Information ↓; Description. Ginastera, Alberto. Cinco canciones populares argentinas. Five Argentine Folk Songs op. 10 (). Voice and piano. Duration: 9′. Territory. This work is. Cinco canciones populares argentinas. Word count: Song Cycle by Alberto Ginastera ( – ). Show the texts alone (bare mode).
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5 Canciones Populares Argentinas
In Argentinathe militant revolutionary activity of the late s and early s solidified the power of politicians who, according to Aaron Coplandplaced musical policy entirely in the hands of “a small group of conservative musicians” Aaron Copland, “The Composers of South America,” Modern Music vol.
As with “Chacarera,” the words of “Gato,” though not entirely nonsensical, are more significant for their rhythm than for their meaning. A Reflection of the Composer and argebtinas Country” D. Harp Concerto Piano Concerto No.
Guitarrita de pino Cuerdas de alambre. Jazz Latin New Age. The melody combines diatonic and pentatonic elements, canclones of Incan pentatonic scales, with the reiterated tone G and its embellishing quartal grace notes in the introduction serving to establish “the pentatonic flavor of the succeeding melody” Wallace, argentibas The ancestry of the rhythms is even more obscured here; further, the odd modality and chromaticism of the accompaniment provide the traditional lullaby melody with an intriguing flavor.
In these pieces, Ginastera places virtuosic demands on the pianist while allowing the singer to convey emotion in an understated vocal line. Ediciones Culturales Argentinas, The setting of such folk songs and folk poetry was not, of course, without precedent: Some composers used the same melody throughout the piece, repeating it in the manner of a ground bass.
The third poem also addresses this subject, flavoring faintly traditional rhythms and figures with occasional and dramatic harmonic ginnastera. Submitted by Ted Perry 2.
This page was last edited on 5 Juneat Views Read Edit View history. The first and last songs demonstrate the clearest evocations of Argentinean folklore.
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Songs from Latin America. The final song boisterously employs native rhythms, compounding their energy with raucous, jarring outbursts of celebratory dissonance.
Cinco canciones populares argentinas
In some passages “there is considerable use of extended tertian and polytonal arpeggiation underneath the melodic line” Wallace, Triste [ sung text checked 1 time ] Language: The marriage will be pug-nosed, as will the results be.
Compositions by Alberto Ginastsra. I like the pug-nosed girls, and one has smitten me. The refrain was constructed upon one of a series of typical harmonic schemes e. Sexy Trippy All Moods. Canciknes moza que baila Mucho la quiero Pero no para hermana Que hermana tengo.
Cinco canciones populares argentinas – Wikipedia
In these songs, Ginastera draws from the Argentine cancionero popularwhich catalogues the traditional songs and dances of each province and is used, in turn, to teach these to school children.
Gato Historical background [ edit ] In Argentinathe militant revolutionary activity of the late s and early s solidified the power of politicians who, according to Aaron Coplandplaced musical policy entirely in the hands of “a small group of conservative musicians” Aaron Copland, “The Composers of South America,” Modern Music vol. Submitted by Ted Perry 5.
The penultimate song portrays a mother singing a lullaby to her child.